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Archive for September, 2008

Genius Saved my Life!

September 26th, 2008

So there I was, for 30ish years picking songs.  Picking albums… then came playlists, then genre, then sorting by “recently added” and trying to keep up with various playlists.  Big big timesink.

Then Apple made a revolutionary tool called Genius.  No more Grey’s Anatomy or House or Weeds while playing WoW.  I love listening to music while playing WoW, or reading, or whatever, but itunes would always play one great song, or whatever I was in the mood for at the time, then throw in Motorhead, while I was feeling Ben Folds.  Or play Ben Folds when I was feeling Slayer.

The answer until now was playlists, I had a “WoW” playlist that wouldn’t play anything jarring, or crazy because I wanted good background concentration music.  But the playlists get old really fast because you get to know the songs so quickly.

Genius is soooo genius.  It goes through my collection and picks the most appropriate “like” songs compared to the song I think fits my mood.  But it works.  That’s the whole difference compared with any other type of song-picker.  I never would have thought that “Dead Flowers” by The Rolling Stones would be a great song to put into a White Stripes playlist.  As a matter of fact I probably would never put a Rolling Stones song into a WoW playlist, but it works!

Also, I have a lot of music that I just don’t know.  I like Arcade Fire, but since I’ve never really sat down and listened to their songs individually, how would I know which one’s to put in a playlist?  Genius knows!  Which Weezer song is more mellow than the others?  Genius!

I have to skip songs sometimes, it’s not 100% perfect for finding exactly what I want to hear, but it’s 90% which is way more accurate than I am at picking my own music, AND it turnes me on to songs in my own collection.  That’s right, it turns me on to my own music, and that’s incredible.

When I picked an Alice and Chains song, it played all the 90s era music in my collection, it sounded like I was listening to my own version of a classic rock station.  When I picked White Stripes, it picked unique, quirky rock from Wolfmother, to Bob Dylan, to Decemberists, Ben Harper, Bright Eyes, and even Nine Inch Nails.

I thank Genius for allowing me to enjoy music again.  Really! It’s that amazing.  I’m enjoying music more instead of watching TV.  A big thank you to Apple!

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Mars Volta – Bedlam in Goliath

September 13th, 2008

Mars Volta wins the award for best collectors album ever.  Bedlam in Goliath comes in heavy cardstock double 180g virgin vinyl, with a single inside in the shape of a ouija board.  Unfolded the album is the “board” part of the ouija board.  The albums are split black and red color.  The art is amazing, one of the best I’ve seen just for the art.

The album is a working ouija board!  Well, magic not included, except for the music. Like if that were enough, the ouija tool is a working single record!  The album was expensive at around $40.00, and it’s probably the most I’ve paid for an album, ever.

The music is mixed both a little abstract and musically palatable.  I’m not a huge fan of Mars Volta’s experimental side.  Maybe I’m too old, I used to really like the abstract stuff, but these days its just a bit annoying.  I like to be pleased musically, not jarred.  Also, I think when I enjoy the avant garde, I’m focusing solely on the music.  These days I tend to be doing multiple things while listening, like driving, working out, running, cleaning, playing computer games, or like right now, writing.  So when bands like Mars Volta veer into experimental noise, cacophony, or crazy effects on the vocals, it sounds frustrating.  It’s really too bad, because I really love Volta and when they don’t stray musically I think they’re genius.

The LP seems mastered a bit loud.  One reason I buy vinyl is to bring some dynamics back into the music, which is lost in today’s digital mixing/mastering (See this Wiki entry about The Loudness War).

This picture, also from that wiki page shows the same song, The Beatles, Something, from the album Abbey Road, re-mastered four times from 1983 to 2000, and remember, songs have been getting progressively louder since 2000.

So, open letter to bands mixing to vinyl: please, if you’re intent on mixing loud CD’s, and then releasing a vinyl version, mix/master it dynamically for those of us who care to buy it on an analog medium.  It’s likely that we enjoy the music as much as the tactile experience.

The music, when not too experimental, is really excellent.  I still believe that the epitome Mars Volta album continues to be Deloused in the Comatorium, produced by the man, Rick Rubin.  This album was produced by Omar Rodriuez Lopez (singer/guitarist) himself, not that that’s a bad thing, he’s definitely a gifted songwriter/musician.

This album shows a more matured Mars Volta, realizing some of their progressive/fusion aspirations.  At times drifting into experimental jarring frustrating noise, but mostly this is an epic album which should be listened too multiple times, and I think it’s an important addition to rock music in general.  I’ve always believed that Mars Volta was an important band, creative, unstoppable, energetic, dreamy, tossing convention the finger, and inspirational.  Rodriguez really has the “gift” and it shows on this album.

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Metallica Death Magnetic

September 12th, 2008

Today is Metallica’s big day with the release of Death Magnetic.  I made my way to the local Record and Tape Trader’s and grabbed a copy.  It comes in a nice 180g double gatefold inside heavy cardstock.  The packaging is really very nice.

The album is the first Metallica album to be produced by the master Rick Rubin.  First, this album is mixed/mastered so much better than Metallica’s last album, St. Anger, which I felt was a huge disappointment.  Second, the songs are long.  Also, they’re back to metal, complete with noodly solos.  Metallica takes time on this album, as if they forgot about radio airplay (thanks Metallica and Rubin!).

There are Ride the Lightning and Master of Puppets influences on here with long interludes of just plain metal.  This is the first album featuring new bassist Robert Trujillo and he comes through as a member of the band, not just a hired gun.

This album is old Metallica, pre-black album.  It is exactly what I was hoping for from Metallica.  A return to what made them great.  Sometimes the songs “feel” like they’re trying to go back in time on purpose, and not for the sake of the music, but I don’t care, it doesn’t feel fake.  It just feels on purpose sometimes.

Chunk-ity-chunk-cha-chu-chunk.  Chunk. Chunk.  That’s what I loved about Metallica pre-black album and it’s here again.  I could do without the solos, I never really liked the blingy solos, and the guitars behind the solos sound great, but I can weather the solos for such great music, and the return of one of my favorite bands.  Metallica announced that they will release the album for download for Guitar Hero III.  If you haven’t tried Guitar Hero, its a great way to interactively experience music.

One complaint, though, and a big one.  Where’s my mp3′s?  Every new artist is giving download coupons, and with the Metallica versus Napster fandango, they should have sent me a big “we’re sorry, here’s your mp3′s with the big piece of vinyl you just bought”, but no, as I type this I’m recording it for my ipod.  I don’t dare download it from bittorent, for fear of the “monster” (couldn’t help it).

Also, as with all the other Metallica albums you don’t get anything extra.  You get a good, solid, heavy piece of vinyl, with nice artwork, but no mp3′s or CD’s or pictures, posters, nothing, just the music.  OK, I’m not really complaining because the important part is there, but I buy vinyl as a guilty pleasure, an experience only bested by being at the show, so I want the equivalent of a ticket stub or a concert program.  Not a big complaint.

The biggest accolade I can give is that this is Metallica 1.0, thank you Metallica and Rick Rubin for bringing one of my favorite bands back and giving me a new album by that band.  Also, thank you for not mixing it so bright like the recent Metallica vinyl reissues were.

As promised, I answered the comment below with some files of my copy of the vinyl issue of Death Magnetic.  I have to warn you, my album live sounds better than this digital copy.  I did not put any compression or anything else on the recordings, nor did I mix or master my recording.  My recording, toe to toe with the vinyl is not even a comparison, the vinyl kicks it’s ass.  But, I thought I’d post it up here for anyone so that they can hear for themselves.  30 second clips so that Metallica doesn’t come after me – Fair Use!

File 1:

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File 2:

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File 3:

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Metallica Master of Puppets Half Speed Mastered

September 10th, 2008

I was slightly disappointed with the first release of the recent Metallica half-speed reissues, Kill ‘em All.  I was reluctant to buy Master of Puppets, which is arguably my favorite Metallica album.  To me, Master of Puppets was The Beatles White Album, or Dark Side of the Moon, at the time I considered it completely groundbreaking.

This album sounds better than Kill ‘em All, but it still seems to be mixed/mastered on the treble side.  I still think it was worth buying it.  I would buy this version of this album again.  I’m anticipating Death Magnetic, to be released this Friday, and I’ll be sure to grab the vinyl edition.  Let’s hope Metallica issues an mp3 coupon inside.

Just like Kill ‘em All, this album is 180 gram, and comes with a little graphics flat inside, but otherwise, you just get an album.  Part of me was hoping for a little collector’s nostalgia to be included.  There’s almost no bass in this recording.  Not that there was much bass in the original, but you can really hear it after listening to today’s style of recording and mixing.

Unlike Kill ‘em All, Master of Puppets is played back at 33 rpm vice 45 rpm.  It’s actually nice not to have to shift sides every two songs.

I may have an unpopular view of these reissues, but it seems to me that they should have reduced some of the treble in these albums.  They had the opportunity to revisit the original analog tapes, why not re-master and/or remix them to make them a true analog treasure?  These are great, don’t get me wrong, I love hearing these epic albums in a new, fresh medium, but they could have been epic all over again.

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Tom Petty and the Heartbreakers – Hard Promises

September 9th, 2008

I recently found this on a promo copy, for $5.00 which I thought was a great price for such a cool album.  The album itself is in pristine condition, complete with a solid insert record holder, the kind that’s heavy cardstock with cool images all over it.  Also, still inside was a lyric sheet with pictures.

I thought I’d start adding a song file with some posts, since I’m not really doing the podcast anymore, it just takes too much studio time.  I’d rather use the studio for creative purposes than spend all my time creating a podcast.  But adding a quick nice selection isn’t too hard, and it can go with the particular album I’m talking about.

This is Tom Petty’s fourth album and it was released in 1981.  This is the album that Tom Petty fought against the record industry’s policy of charging more for A-list artists, and if you watched his incredible documentary, it’s all covered.  Tom Petty is an active voice for musicians, a true rebel, not a plastic rebel like some punk bands I know.

The song I chose to include was Something Big.  Enjoy!

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Wrecords by Monkey

September 9th, 2008

This guy does some great stuff with vinyl.  Especially the cameos, they seem very artistic. It sure seems that, along with a vinyl revival comes a marketplace.  I’ve started to see some really good, and some really un-good products being marketed, both made from vinyl, or record players, and anything else people can think of.

Anyway, these look really well done.

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Unique Black Flag Album on Ebay

September 5th, 2008

Pretty freaking amazing.  This is an original pen and ink test press of Black Flag’s 1984, and second album, My War.  The artwork on the actual album is a bit different.

It’d be perfect except the seller wants $10,000 for it.

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New Releases on 180 Gram Vinyl

September 4th, 2008

Ben Folds new album, Way to Normal on double 180g vinyl

Comes with a digital download card.  Can’t wait to hear this.

Release Date: SEPTEMBER 30, 2008

Queensryche Operation Mindcrime on 180g double vinyl.

Limited edition.

Release Date: OCTOBER 28, 2008

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Cool Country

September 3rd, 2008

I like old school country.  Hank III, Walon, Willy, Hank Sr., George Jones, Loretta Lynn, and some of the new guys too.  I know I put Hank III in a list of older country artists, but I don’t think he’d mind.  I was perusing the net and found this post, I think you all should go over and give it a good listen.  Good stuff, I’m bound to pick this album up.

rebel_lana_woke_up_one_mornin.mp3

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New Releases!

September 2nd, 2008

Hank Williams III Damn Right Rebel Proud On 2 Vinyl LP and CD

Release Date: October 7, 2008

Loved Hank III’s last release, and well, all of his music both releases and bootlegs have a held a sweet spot in my heart and collection.

Isis Live IV 2 LP

Gotta love Isis.  I’ll take it any way I can get it, live or studio.  This is a compilation of four years of live recordings.  Limited pressing of 1000.

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